Exquisite Patterns in Nature
19 March – 30 June 2017
This exhibition included selections of artwork and books from the Hunt Institute's permanent collections that were representative of, or inspired by, the fascinating configurations in the architecture of all organisms. Recognizing objects and creating order through groupings and repetition is one of the most basic ways humans make sense of the chaos of our world. Through this lens we find that the natural world is filled with patterns, from the silhouettes we observe from afar to the surfaces we see up close, and even to the cellular structures we can observe only with assistance. These patterns can be understood through mathematical theories or more simplified visualizations and are interpreted by scientists, laypeople and artists.
The exquisite patterns on display included simple symmetries and more complex tessellations and fractals; growth rings, whorls and logarithmic spirals; explorations of larger patterns observed through groupings of like plants and plant parts; the visual study of plants in complex decorative arrangements and examples of these patterns in practice. Original watercolors, drawings and prints that illustrated scientific journals and popular books as well as artistic interpretations of the plant world were featured in the context of the exquisite patterns that appear in nature. Also included were two influential works on design—Owen Jones' Grammar of Ornament (1868) and Eugène Grasset's Plants and Their Application to Ornament (1896).
The reception on Sunday, 19 March (2:00–4:00 p.m.) was open to the public. At 2:30 p.m. the curators gave a short introduction to the exhibition in the gallery.
Open House 2017
Our annual Open House on Sunday, 25 June (1:45–4:30 p.m.) included a talk (2:00–3:00 p.m.) and an exhibition tour (3:15–4:00 p.m.). Librarian Charlotte Tancin presented "A celebration of plants, enjoying endless variety of form and kind," a talk and display from the Institute's rare book collection. Striking historical illustrations of selected kinds of plants or aspects of their forms were displayed. She talked briefly about each image, discussing what could be seen in the image and how the published image would have supported the work of botanists at the time, such as in floristic studies, reports of explorations, monographs on a family or genus, documenting new introductions or celebrating exotic garden plants. This event was free and open to the public.